Songs not for sale

I am free!

The letter from C.A.S.H.(Composers and Authors Society of Hongkong) finally arrived at the end of last summer, and my membership was officially terminated! Tracks from My Mama's Words and Very Personal are now available for free download.

Posted by May Ip 

Singing with Riordain

This is the latest version of It's a Beautiful Day recorded live at Field of Dreams-Original Dreamers Living their Dreams on August 13. Do you hear the little voice singing unison with me in chorus? That's my 5-year-old Riordain.

Posted by May Ip 

5th Summer Solistice Festival

It was nice to return to playing in small festivals.

Posted by May Ip 

Happy Earth Day!

A last minute decision to make this video to celebrate Earth Day.

Filed under  //  Earth Day  
Posted by May Ip 

Am I Folk?

I have always been called a folk musician. Yet, I often feel that some of my songs may not fit the profile of folk music.

In 1990s, despite my afford in explaining to media in Hong Kong that I was not "a singer/song writer", "a folk musician", nor "a folk rock singer" but all of the above and more, individual magazines, newspapers and radio stations would still each choose a term they preferred to describe May Ip. Lately, I have run into a similar situation while setting up account on various music downloading sites - I have to choose a genre for myself. In the end, I picked folk, because there are no other given choices which even come close to describing any of my songs.

A little digging reveals that folk music has a great many definitions. On his Folk Music blog, Maryl Neff writes,

The term "folk music" was invented  by nineteenth-century scholars to describe the music of peasantry, age-old and anonymous.

According to Kim Ruehl at folkmusic.about.com, the term, "folk song," covers a vast array of musical styles, but is most commonly used to refer to a narrative song that uses traditional melodies to speak on a particular topic.

AllExperts' Mike Turner holds a more contemporary view of what folk songs are:

Folk songs are concrete and direct.  They deal with 'real events' - whether these are the imaginings of a performer, or are a true history, is not the point - what is crucial is that the telling must have that quality of documentary directness.

Garnet Rogers once said that "folk music is journalism. It has to say something about the human condition and people's lives and how they relate to one another, to themselves or to their jobs" (Murri & Murri, 1990, pp. 13-14).

So, some of my songs are by definition folk songs. For example, What's the Use of it if Dreams are Only Dream which describes lives of Vietnamese refugees. Other songs, like My Heart is Sinking, express my personal feelings rather than being narration of stories with social topics. In other words, it is not possible to fit all my songs into one genre.

This afternoon, I sat down and listed all the originals I have recorded then attempted to identify those which are folk songs. I discovered that I am 40% folk.

Filed under  //  folk   folk music   folk song   follk musician  
Posted by May Ip 

Finding root in music

My father brought back an erhu for me from his visit to Hongkong a few years ago. Until last week, it had been in its case more than was being played. Now, I practise half an hour to 45 minutes every day, thanks to my oldest son!

A couple of weeks ago, Nolan related to me his teacher's invitation - after finding out that I have an erhu at home, and play it sometimes, he would like me do a demonstration for Nolan's class some time in June. Compare to in late 80s, when I only had a few days to learn an instrument in order to demonstrate on my weekly Children MTV show, it is a luxury to have 10 weeks. I even have time to start with basics - scales, finger charts, positions etc.

Today, Gary posted a short animation on my facebook page. It is about a little girl, after immigrated to Canada from China with her father, finds that the music her father plays on the erhu is helping her to remain connected to her roof while adjusting to new life. Growing up in colonial Hongkong, my exposure to Chinese music was limited. However, every time I sit down to play to erhu, Chinese melodies will flow from my memories to my finger tips. As I play tune after tune, sometimes the same tune over and over, I feel like a child cradled by her mothers arms. Soothing, peaceful. But most important of all, I feel belong.

While playing at Eaglewood Folk Festival in 1997, I had a conversation with a person about how immigrants often feel they don't belong anywhere. She told me that I would find my root here when I have kids. After 3 children, I still felt like a stranger in a strange land. Finally, the erhu helped me realise that my root has always been there, inside me. It has been planted there by the music of my heritage and culture I listened to a long time ago.

Posted by May Ip 

3 Months to Freedom

Mailed the request today. It should arrive at CASH(Composers and Authors Society of Hong Kong) by the end of this month. It then has to be approved in 2 rounds of meetings in April and May. If all goes well, I will be able to license my songs under creative commons by June when my CASH membership is terminated.

Three month is a long time. Hopefully, it is worth the waiting.

Fingers crossed.

Filed under  //  May Ip   creative commons   creative commons music  
Posted by May Ip 

Destination?

Where is this musical journey taking me?

As naive and larger than life as it may sound, I create music to make our world a better place. There is no end to this journey as long as I live. I want to touch as many hearts as possible along the way. Thanks to the advancement of information technology, I now have means to  reach out beyond my own backyard.

Filed under  //  Hong Kong Indie   May Ip   folk   folk rock   healing music  
Posted by May Ip 

Life is a Musical Journey

Found a long lost friend Roy Stark and happy to know that he is still playing that blues in Asia.

Together with Valerie Mindel and Michael Miller, we were the Asian Cajun --- Hongkong's only Cajun band who playedr "hard-driving music of the French speaking natives of the bayou countries of Southwest Louisiana." Our performances ranged from private parties, restaurant gigs, festival appearances to playing in large concert halls which housed over 1000 people.

Today, Roy is playing the blues which is rooted deeply in his heart, Valerie is a teacher of traditional American music in the States  while I am growing my own band in Canada. Life is a musical journey. While the music keeps changing, it never stops.

Filed under  //  Asian Cajun   Cajun music   May Ip   May Ip's music   Owen Sound musician  
Posted by May Ip 

Nice to be remembered

Although I have been living in Canada for 16 years now, I am still contacted by people in Hongkong who know or know of my music from time to time. Here is an interview I did with the University of Hongkong in 2008. It is nice to be remembered. It makes me feel as if I have never left.

Posted by May Ip